April 2, 2025, Detroit, MI – Award-winning independent artist, television, radio personality, and author Martone is exposing TuneCore and EIN Presswire for their lack of transparency, poor business practices, and apparent attempts to suppress independent voices. As he gears up for major releases—including Phoenix Rising: The Emperor’s Ascension (July 11, 2025), Too Bad, So Sad featuring Intelligent Diva (May 16, 2025), and #TEOM The Evolution of Martone 10th Anniversary Edition—he faces unexpected industry roadblocks. Additionally, his latest book, Deep & Raw: The Erotica of Martone, expands his creative reach, proving his influence beyond music.
Martone, a seasoned industry professional since age 14, has strategically rebranded himself and aligned his projects for success. Yet, instead of receiving support, he has encountered unnecessary obstacles from companies claiming to champion independent artists. Having navigated the entertainment world for decades, he recognizes the systemic issues that hinder true artistic independence.
1. EIN Presswire’s Condescending & Anonymous Responses
EIN Presswire’s handling of Martone’s press release raises serious concerns. Instead of constructive feedback, the company responded with vague, dismissive emails—often unsigned—suggesting he use their AI-powered press release generator. This condescending approach disregards his extensive experience in television, radio, and professional media relations.
“I’ve worked with industry professionals on press releases that have gained national and international coverage,” says Martone. “To be told my work doesn’t meet press standards—without real feedback—isn’t just insulting, it’s an attempt to silence me.”
Such hostility exposes a troubling trend: platforms positioning themselves as allies of independent artists while actively suppressing their voices.
2. TuneCore’s Customer Service Failures
TuneCore claims to empower independent artists, yet its lackluster customer service tells a different story. Instead of providing timely, effective assistance, Martone has faced frustrating delays and dismissals, making it unnecessarily difficult for artists to manage their careers.
“At this stage in my career, I don’t need a lesson on how the industry works—I need companies to do their jobs,” Martone states. “TuneCore’s failure to offer real support proves they are more focused on profits than artists.”
3. A Pattern of Censorship Against Independent Black Artists?
This situation is part of a larger pattern of silencing independent Black artists and media professionals. As DEI (Diversity, Equity, and Inclusion) initiatives quietly disappear from corporate agendas, companies like TuneCore and EIN Presswire seem increasingly resistant to criticism from marginalized voices.
With his upcoming projects, including Phoenix Rising: The Emperor’s Ascension, Too Bad, So Sad, and Deep & Raw: The Erotica of Martone, Martone refuses to be sidelined by corporate suppression. These companies’ refusal to distribute his press release impacts not only him but countless independent artists relying on these platforms for fair exposure. The message is clear: gatekeepers are working to keep true independence out of reach.
Demand Accountability & Take Action
Martone calls on TuneCore and EIN Presswire to publicly address their failures:
EIN Presswire: Clarify your editorial guidelines and explain why you reject factual, well-structured press releases without justification.
Share This Story & Speak Out
Artists and media professionals should not have to fight against corporate censorship. If you’ve experienced similar roadblocks, Martone urges you to share your story and demand change.
For updates on this issue and Martone’s upcoming projects, visit his official website and follow him on social media.
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